In a remarkable turn of events in the Indian film industry, Ranveer Singh's latest film 'Dhurandhar' has eclipsed Shah

Rukh Khan’s 'Pathaan' to become the highest-grossing Hindi film in North America, amassing an impressive USD 17.52

million. This achievement not only cements 'Dhurandhar's' commercial success but also reflects a significant shift in

audience preferences and market dynamics within the North American landscape.

The film, directed by Aditya Dhar, opened with strong box office numbers, pulling in $522K on its first day. Its

performance continued to gain momentum over the weekend, suggesting a robust word-of-mouth effect and favorable critical

reception. The increased collections during the second weekend, particularly the leap to $1.4 million on Saturday,

indicate that 'Dhurandhar' has resonated well with audiences, propelling it past previous benchmarks set by prominent

films like 'Pathaan'.

'Dhurandhar' now holds the third position among all Indian films in North America, trailing only behind Prabhas’s 'Kalki

2898 AD' and 'Baahubali 2: The Conclusion'. With its current trajectory, it poses a genuine threat to the records

established by these films, underscoring the evolving tastes of North American viewers who are increasingly embracing

diverse storytelling from Indian cinema.

The film's success is particularly noteworthy given the competitive environment in which it was released. 'Pathaan',

featuring a star-studded cast including Deepika Padukone and John Abraham, was a major box office draw earlier this

year. However, the fact that 'Dhurandhar' has now overtaken it may reflect not only the film's unique narrative appeal

but also the growing influence of Ranveer Singh as a leading figure in the industry.

Industry observers are beginning to note that this shift may signify a broader trend where regional films are carving

out significant market share in North America. As audiences become more attuned to diverse cinematic offerings, the

potential for Hindi films to achieve even greater milestones in international markets appears promising. This could, in

turn, encourage filmmakers and studios to invest in innovative storytelling and marketing strategies to capture the

growing diaspora audience.

Critically acclaimed director Madhur Bhandarkar has already lauded 'Dhurandhar', calling it 'Absolutely brilliant',

which may further enhance its visibility and prestige. Such endorsements can play a crucial role in sustaining box

office momentum and attracting new viewers.

In conclusion, 'Dhurandhar's' box office success is a watershed moment for Hindi cinema in North America, reflecting

shifting audience dynamics and the potential for future successes in the international arena. This development will

likely encourage filmmakers to continue pushing boundaries, creating films that can captivate audiences both

domestically and abroad.