Actor Naveen Kaushik recently shed light on the unexpected positive reception of the Indian film 'Dhurandhar' in

Pakistan. The film, which released in India on December 5th, garnered significant attention on social media, with many

Pakistani viewers suggesting it would be a blockbuster if released there. Kaushik attributes this positive response to

the film's nuanced portrayal of conflict and its avoidance of broad generalizations or demonization of the Pakistani

people.

Kaushik emphasized that Pakistani audiences have noted the film's distinction in refraining from disparaging remarks

against the Pakistani population or the Muslim community. Instead, 'Dhurandhar' focuses on highlighting corruption

within the system and the actions of specific agents who exploit situations to instigate attacks on India. This

approach, according to Kaushik, resonates with Pakistani viewers who recognize that such elements are detrimental to

their own country as well. They see the film as echoing their own desire to hold these individuals accountable, rather

than blaming an entire nation for the actions of a few.

"They have related to the fact that these people must be questioned. They must be targeted… not the entire country,

which would not serve the purpose. That is why the film has received so much love,” Kaushik explained.

'Dhurandhar' is directed by Aditya Dhar, known for his previous action film 'Uri: The Surgical Strike.' Dhar's

directorial style often involves narratives centered around national security and military operations. Kaushik, known

for his roles in web series and films, plays a significant role in 'Dhurandhar.' The film reportedly navigates complex

themes of espionage and counter-terrorism.

The film's success in fostering a positive response across the border highlights the potential for cinema to transcend

national boundaries when it focuses on shared human experiences and avoids perpetuating harmful stereotypes. By

targeting specific instances of corruption and exploitation, 'Dhurandhar' seems to have struck a chord with Pakistani

audiences who appreciate the film's refusal to paint an entire nation with the same brush. This reception underscores

the importance of responsible storytelling in a world often divided by political tensions and nationalistic fervor. It

also suggests a growing desire for narratives that promote understanding and empathy across borders, and a rejection of

simplistic, demonizing portrayals of entire populations.