The Story Behind Dhurandhar's 'Na To Karvaan Ki Talash Hai': How Roshan Lal Nagrath and Sahir Ludhianvi Combined Krishna, Meera, Buddha, and Sufi Ideas in One Song

There once was a time when Hindi film songs did more than just fill space in a movie; they enhanced it. Within their verses lay centuries of faith, rebellion, longing, philosophy, and real-life history. Today, many of these songs are used as background music, remixes, or nostalgic references for a younger audience who may recognize the tune without understanding its depth.

That said, the reality is a bit more complicated. for those who grew up in the 1980s and 1990s, these songs had a different impact. They weren't just entertainment; they sparked conversations—with poetry, belief systems, and the essence of India itself.

A similar phenomenon occurred recently with the release of Dhurandhar, Aditya Dhar's hit film. Amidst the action and bravado, a familiar melody quietly emerged in the trailer's final moments. When the movie premiered last Friday, viewers barely had time to adjust to the intensity before a 65-year-old qawwali subtly underscored the violence.

The moment was brief, just a couple of lines. But for those who recognized the song, it resonated more powerfully than any on-screen explosion.

While modern cinema often uses music to set the mood—fast for chases, soft for romance, loud for celebrations—Hindi film music historically played a more significant role. Songs conveyed ideology, propelled the story forward, and reflected society. Importantly, they drew inspiration from India's cultural heritage, including Sufism, Bhakti traditions, Nirgun philosophy, Persian poetry, classical ragas, and folk traditions.