Naveen Kaushik on 'Dhurandhar's' Cross-Border Appeal: Highlighting Corruption Over National Blame

Actor Naveen Kaushik recently shed light on the unexpected positive reception of the Indian film 'Dhurandhar' in Pakistan. The film, which released in India on December 5th, garnered significant attention on social media, with many Pakistani viewers suggesting it would be a blockbuster if released there. Kaushik attributes this positive response to the film's nuanced portrayal of conflict and its avoidance of broad generalizations or demonization of the Pakistani people.

Kaushik emphasized that Pakistani audiences have noted the film's distinction in refraining from disparaging remarks against the Pakistani population or the Muslim community. Instead, 'Dhurandhar' focuses on highlighting corruption within the system and the actions of specific agents who exploit situations to instigate attacks on India. This approach, according to Kaushik, resonates with Pakistani viewers who recognize that such elements are detrimental to their own country as well. They see the film as echoing their own desire to hold these individuals accountable, rather than blaming an entire nation for the actions of a few.

"They have related to the fact that these people must be questioned. They must be targeted… not the entire country, which would not serve the purpose. That is why the film has received so much love,” Kaushik explained.

'Dhurandhar' is directed by Aditya Dhar, known for his previous action film 'Uri: The Surgical Strike.' Dhar's directorial style often involves narratives centered around national security and military operations. Kaushik, known for his roles in web series and films, plays a significant role in 'Dhurandhar.' The film reportedly navigates complex themes of espionage and counter-terrorism.

The film's success in fostering a positive response across the border highlights the potential for cinema to transcend national boundaries when it focuses on shared human experiences and avoids perpetuating harmful stereotypes. By targeting specific instances of corruption and exploitation, 'Dhurandhar' seems to have struck a chord with Pakistani audiences who appreciate the film's refusal to paint an entire nation with the same brush. This reception underscores the importance of responsible storytelling in a world often divided by political tensions and nationalistic fervor. It also suggests a growing desire for narratives that promote understanding and empathy across borders, and a rejection of simplistic, demonizing portrayals of entire populations.

Editor’s note: This article was independently written by the Scoopliner Editorial Team using publicly available information.